May 20th, 2013
thechristmascollective

newyorker:

“When I heard the news that the Freedom Tower will be now be the highest building in Manhattan, I thought: ‘Kids!’” Ana Juan, the artist behind this week’s cover “Defiance,” says. “When you are a kid, you’re with your friends, and you say, ‘My ice cream is bigger than yours!’” she adds laughingly. “It’s a kind of a race, even if it makes for a great skyline. Still, I can’t help wondering: ‘Why do humans need to build higher and higher?’ It’s a show of power—something that doesn’t necessarily hold much interest for me. We need better schools, or a better health-care system, or to take care of the cities we have… but I guess building ever higher is our way to show how great we are.”

Cover of the May 27, 2013 issue. For more on Ana Juan’s cover, “Defiance,” as well as a slide show of images of the downtown skyline after 9/11 and some of her many children’s books illustrations: http://nyr.kr/10IKny1

Reblogged from The New Yorker
March 22nd, 2013
thechristmascollective

What’s this? 

Each philosopher is a node in the network and the lines between them (or edges in the terminology of graph theory) represents lines of influence. The node and text are sized according to the number of connections. The algorithm that visualises the graph also tends to put the better connected nodes in the centre of the diagram so we get the most influential philosophers, in large text, clustered in the centre.

[via The Dish]

(Source: newsweek)

Reblogged from The Atlantic
March 22nd, 2013
thechristmascollective
Reblogged from Ace Hotel
March 22nd, 2013
thechristmascollective
March 5th, 2013
thechristmascollective

Manhattan

“Chapter 1.
He adored New York City. He idolized it all out of proportion…no, make that: he - he romanticized it all out of proportion. Yes. To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin.’
Er, tsch, no, missed out something.

Chapter 1.
He was too romantic about Manhattan, as he was about everything else. He thrived on the hustle bustle of the crowds and the traffic. To him, New York meant beautiful women and street-smart guys who seemed to know all the angles…’. No, no, corny, too corny for a man of my taste. Can we … can we try and make it more profound?

Chapter 1.
He adored New York City. To him, it was a metaphor for the decay of contemporary culture. The same lack of individual integrity that caused so many people to take the easy way out was rapidly turning the town of his dreams in …’
No, that’s a little bit too preachy. I mean, you know, let’s face it, I want to sell some books here.

Chapter 1.
He adored New York City, although to him it was a metaphor for the decay of contemporary culture. How hard it was to exist in a society desensitized by drugs, loud music, television, crime, garbage…’
Too angry, I don’t want to be angry.

Chapter 1.
He was as tough and romantic as the city he loved. Behind his black-rimmed glasses was the coiled sexual power of a jungle cat.’
I love this.
New York was his town, and it always would be…” 
― Woody AllenManhattan

Reblogged from GrandLife Hotels
Loading tweets...

@TheChristmasCo




The Christmas Collective
is a boutique real estate and land use consulting atelier strategically fashioning bespoke development planning and design solutions that maximize value-per-square-foot for lifestyle-driven, design-oriented developments worldwide.



Subscribe to our newsletter

Following